Bio

Kioto Aoki // 青木希音

Kioto Aoki is an artist and educator using the material specificity of the analogue image and image-making process to explore modes of perception as a politics of vision. Her photographic work oscillates between the still and the moving image, attentive to the apparatus of the human eye and the camera; while installation and artist book works engage mechanisms of structural tangibility and site-specificity. Forming a rhetoric of nuanced quietude, her practice considers the intimacies of vision through the experience of sight from inception through presentation. 

As a musician, Kioto descends from the Toyoakimoto performing arts family in Tokyo with roots dating back to the Edo period. Studying under her Tokyo-born father, Kioto is carrying on the artistic family lineage in Chicago as sole professional taiko artist in the city. She has been performing on stage since the age of 7 and also plays shamisen and tsuzumi. Kioto plays in both traditional and contemporary musical contexts and is active within the experimental and creative music communities in Chicago and the Bay Area. She also leads the National Gintenkai Project – the performance unit within Tsukasa Taiko, the Japanese drumming program at Asian Improv aRts Midwest. 

Musical projects include Yoko Ono’s SKYLANDING, Tatsu Aoki’s The MIYUMI Project, The Reduction Ensemble, and the Taiko Legacy / Reduction series at the Museum of Contemporary Art Chicago. Kioto is also a multi-year Ethnic and Folk Arts Master Apprentice Program Awardee from the Illinois Arts Council. Curatorial projects include the ongoing Chicago Obihiro Exchange Project and 思考回路•Shikoukairo: Patterns of Thought which reframes the conversation around Asian & Asian-American cultural diegesis in the arts. She received her BFA & MFA from The School of the Art Institute of Chicago.